My magazine represents people from the ABC1 range in terms of social stratification, just like my target audience. Although it is a magazine that would include all sorts of music by people from different backgrounds, it is a magazine that also includes articles which often include emotional subjects experienced by certain people being interviewed, as shown in my interview with Sacha.
Social stratification is widespread across the UK, with magazine companies creating and publishing media products the represent every social group around. Magazines represent people from the ‘’chav’’ end of the scale to people of a much higher class. An encoder can make it clear to the decoder which social class is represented in their magazine by the signs chosen on the front cover. This is why it was important that I selected the appropriate signs to use in my magazine – so my target audience knew the social group that the people in the magazine belonged to.
All representations go through a mediation process, as the original sign is taken and altered until it becomes the representation the encoder wishes to use. This can take a long time to get right, and is based on the assumptions made about the target audience. These assumptions will affect everything from the modes of address to colour scheme of a design. For example, I chose to keep my colour scheme simple, using only three colours. This was so that the mistake of using too many bright colours wasn’t made, which could have resulted in the magazine looking cheap and tacky. Similarly, the photos I used of Sacha focused on natural beauty, rather than altering her image and risking changing the overall representation.

The brief was to produce a front cover, double page spread and contents page for a music magazine. Although this was a good selection of items, it was challenging to fit everything I wanted to into these three pages. It meant I had to make sure I selected the most eye-catching images and signs to use to gain the decoder’s interest, as they would not be viewing much of the inside of the magazine. From the numerous photos I had taken, it was difficult to reduce them to a small group I could use. Out of the 15 photos I had taken in preparation, only 7 were used. It was difficult to choose which photos were the most suitable, but it allowed me to experience the often challenging selection process that encoders have to carry out all the time when producing magazines and other media products.
The software I used to create all sections of my magazine was the programme CorelDRAW Graphics Suite. This programme includes all the tools I needed to edit and alter all the signs I chose to use in my media product. Photos could be edited in a variety of ways, there was no limit to whereabouts I could move them and there was a wide range of font styles to choose from. This was definitely the best programme to use for my magazine. There were to limitations to what I could do and I could preview my design in all sorts of ways. I could also zoom in very far to ensure all details were as accurate as I could get them.


My magazine goes against the pluralist idea that no representation can ever impact the way a decoder thinks. I believe the signs I have chosen to use in my media product show that the way in which we use the mediation process to create something a decoder understands can have a big impact on the way my target audience will decode the signs and understand the representation. Although there are thousands of representations of the same social group out there, I think my representation has a unique message to offer.
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